Saturday, July 30, 2011
The Summer of '49
One of these days I'll find time to do a proper blog article on classic comics again but in the meantime here's a look back in time to the cover of Radio Fun No.564, dated July 30th 1949. At a time before Summer Specials became the norm, weekly comics celebrated the holiday period with seaside tales of their characters. Here's Jimmy Jewel and Ben Warriss having a day out with five shillings between them. Artwork is, I believe, by Reg Parlett.
Gosh! Alan Moore and Kevin O'Neill in London today
I was hoping to attend this myself but have to work this weekend. Anyway, those two comic gods Alan Moore and Kevin O'Neill will be signing their latest League of Extraordinary Gentlemen book, Century:1969 at the brilliant Gosh! comic shop in London today. (The shop is situated opposite the British Museum.)
Alan and Kev will be signing from 2pm to 6pm, but before that, Gary Spencer Millidge will be at the shop for a signing of his new book Alan Moore: Storyteller (an excellent biography of Alan, which I'll be reviewing here as soon as time allows).
More details on the signing here:
http://www.goshlondon.com/events/
Thursday, July 28, 2011
Martin Skidmore
I was saddened to hear that Martin Skidmore passed away last night after a long fight with cancer. As many of you will know, Martin was the editor of the fanzine Fantasy Advertiser in the latter part of the 1980s and was also an editor at Trident Comics around that time. In more recent times he had revived FA as an online magazine.
I hadn't seen Martin for many years but knew him well when he he was a regular attendee of comic marts and conventions in the 1980s. A sociable, intelligent, and affable man, Martin had a great enthusiasm for comics and appreciated it in all its forms from the small press, the independents, and the mainstream. He demonstrated this enthusiasm in the wide-ranging contents of Fantasy Advertiser when he succeeded Martin Lock as editor/publisher with issue 90 in April 1985. As anyone who's tried it knows, editing a fanzine isn't a simple task, but Martin handled it well, overseeing and collating 50 plus pages of news, articles, and interviews every two months.
Martin was active in the industry at an important time for comics. The medium was growing up, becoming more experimental, and Martin was involved in all of that, either by reporting on it, interviewing the people involved, or contributing to it himself. And he was right in the heart of it too, attending the Westminster Comic Marts at Central Hall in the 1980s and the lunchtime drinks in the nearby Westminster Arms with Alan Moore, Dave Gibbons, Kevin O'Neill, Eddie Campbell, Mick McMahon, Brian Bolland and many more. Good times, and I think Martin would have been very proud and pleased to have lived through those years.
There's a very nice memoriam to Martin over at the Down the Tubes blog:
http://downthetubescomics.blogspot.com/2011/07/in-memoriam-martin-skidmore.html
The FA Online website:
http://comiczine-fa.com/
I hadn't seen Martin for many years but knew him well when he he was a regular attendee of comic marts and conventions in the 1980s. A sociable, intelligent, and affable man, Martin had a great enthusiasm for comics and appreciated it in all its forms from the small press, the independents, and the mainstream. He demonstrated this enthusiasm in the wide-ranging contents of Fantasy Advertiser when he succeeded Martin Lock as editor/publisher with issue 90 in April 1985. As anyone who's tried it knows, editing a fanzine isn't a simple task, but Martin handled it well, overseeing and collating 50 plus pages of news, articles, and interviews every two months.
Martin was active in the industry at an important time for comics. The medium was growing up, becoming more experimental, and Martin was involved in all of that, either by reporting on it, interviewing the people involved, or contributing to it himself. And he was right in the heart of it too, attending the Westminster Comic Marts at Central Hall in the 1980s and the lunchtime drinks in the nearby Westminster Arms with Alan Moore, Dave Gibbons, Kevin O'Neill, Eddie Campbell, Mick McMahon, Brian Bolland and many more. Good times, and I think Martin would have been very proud and pleased to have lived through those years.
There's a very nice memoriam to Martin over at the Down the Tubes blog:
http://downthetubescomics.blogspot.com/2011/07/in-memoriam-martin-skidmore.html
The FA Online website:
http://comiczine-fa.com/
Tuesday, July 26, 2011
Prat's Back!
Yes, Postman Prat returns to The Dandy this week for a second series! His misadventures begin in the issue out tomorrow (Wednesday 27th July) which is also a 44 page bumper edition with a cover-mounted gift. This special big issue of The Dandy will be £2.50. Remember, - it's 100% funny!
http://www.facebook.com/TheDandyComic
The new logo
As you can see, I've tweaked the blog's logo again and Blimey! now has a brand new look. (The previous change was in January.) You'll notice that the sub-title "It's another blog about COMICS!" has been dropped. It had been in use since the blog's debut in December 2006 but as a few other blogs had imitated it in some way or other I thought it had diluted it a bit so I decided to ditch it.
Blimey! was always the main title anyway, even back in the days when I was only using the template font for the logo. When I designed my own title banner it became gradually more prominent as can be seen here...
The fonts used for the new logo and the topline are just two of the many fantastic fonts available from Comicraft, professional comic book letterers supreme. You can visit their site here:
http://www.comicraft.com/
The font I've chosen for the new logo is called DangerGirl, based on the lettering of J. Scott Campbell for his Danger Girl comic book. I thought it had a nice classic British comic logo feel about it, which was my intention for the new blog header.
A while back I said this blog would shift to only covering old comics. I've since reconsidered and Blimey! will continue to cover UK comics past and present. However, I do intend to focus more on the past, which was always my intention. Some new and future comics/books will still be covered but only if I have time. Please don't expect me to review/plug everything. Blogging is a hobby, not my profession so I simply don't have time to report on every new project. Besides, there are already many blogs/websites that cover current comics so I'd rather do something different. (I'm afraid press releases for Captain America body splash or the latest Tussauds museum exhibitions just aren't part of what this blog is about, so please don't send me any more of those PR e-mails.)
The other thing is, I'm not looking for writers. Thanks for the offers but I just use this blog as a place to cover classic comics when I get the time, and to promote one or two current comics if I can. Hope you continue to enjoy it.
Blimey! was always the main title anyway, even back in the days when I was only using the template font for the logo. When I designed my own title banner it became gradually more prominent as can be seen here...
The fonts used for the new logo and the topline are just two of the many fantastic fonts available from Comicraft, professional comic book letterers supreme. You can visit their site here:
http://www.comicraft.com/
The font I've chosen for the new logo is called DangerGirl, based on the lettering of J. Scott Campbell for his Danger Girl comic book. I thought it had a nice classic British comic logo feel about it, which was my intention for the new blog header.
A while back I said this blog would shift to only covering old comics. I've since reconsidered and Blimey! will continue to cover UK comics past and present. However, I do intend to focus more on the past, which was always my intention. Some new and future comics/books will still be covered but only if I have time. Please don't expect me to review/plug everything. Blogging is a hobby, not my profession so I simply don't have time to report on every new project. Besides, there are already many blogs/websites that cover current comics so I'd rather do something different. (I'm afraid press releases for Captain America body splash or the latest Tussauds museum exhibitions just aren't part of what this blog is about, so please don't send me any more of those PR e-mails.)
The other thing is, I'm not looking for writers. Thanks for the offers but I just use this blog as a place to cover classic comics when I get the time, and to promote one or two current comics if I can. Hope you continue to enjoy it.
Monday, July 25, 2011
Spirit of Hope launched and looking good
The official book launch for Spirit of Hope took place on Saturday 23rd July, with around twenty of the contributors present at London's Forbidden Planet Megastore.
As most of you must be aware by now, Spirit of Hope is a charity book produced in aid of the victims of the New Zealand and Japan earthquakes and tsunami. Many comics people rallied to the call and the 116 page book is an achievement that all of us involved are proud of.
Saturday was the first time I'd seen the finished book and I was amazed at the sheer variety of styles within its pages. As one reader noted, it really does show the huge versatility of comics.
Contributors include long established professionals to relative newcomers and small press creators, proving the equality that exists within the comics community. With an anthology book like this there is always a risk that some pages will be weaker than others but there really isn't a duff note in the entire book. Every page is clearly from the heart, and the passion and, well, spirit of hope, that each contributor felt carries over to the reader. It's a very moving book, and a very uplifting one.
There's some really powerful and emotional stuff here. One that got to me was Courage by Leonie O'Moore; about the two dogs that were rescued, one standing guard over his injured friend. Other stories are equally as emotional and, such as The Ship by Richard Clements and Inko, heartbreaking.
About halfway through the book there's a bit of light relief with David Leach's Psycho Gran making a welcome return. A comedy strip but not disrespectful to the theme.
The editor faced with the enormous task of making this book work was Alan Cowsill, and what a fantastic job he did. Alan has paginated the book well, so strips don't clash in style and the book is nicely paced. The book features a choice of two covers; the main one by Jimmy Broxton and a variant by Michael Allred.
To coin a cliché, if you only buy one book this year, make it this one. Spirit of Hope is published by the Comic Book Alliance and can be ordered from their website:
http://www.comicbook.org.uk/spirit-of-hope/
It was great to meet up with some old friends in the comics industry at the launch. I hadn't seen David Leach or Jon Haward for a few years. It was also good to meet new people in the business and sign the books for the readers (and for each other). Here's a few photos from the signing at Forbidden Planet:
We had an unannounced signing at Orbital Comics later in the afternoon and photographs from that can be found on Jason Atomic's Facebook page:
http://www.facebook.com/media/set/?set=a.10150270580934341.351365.116135919340&type=1
Friday, July 22, 2011
Hairy Steve wants YOU!
Imagine two of the UK's top humour talents teaming up to bring you top class entertainment. No, not Lennie Bennett and Jerry Stevens. I'm talking about two of the top talents in comics - Jamie Smart and Steve Bright!
Yes, Jamie and Steve are teaming up, but unlike Spider-Man and whatever other superhero he chanced upon in Marvel Team-Up every month, these two won't be fighting on the rooftops of New York before combining their forces. Smart and Bright are teaming up to work on a brand new British comic, - Hairy Steve, with Jamie on script and Steve on artwork.
Jamie explained all on his blog:
"Some people reading this may remember Hairy Steve, a tooth-and-fur comic about blood, swearing and nazis that I was writing about five years ago with the superb artist Steve Bright illustrating. I wrote about it on my journal and we showed a lot of the development art. Well it kinda fell by the wayside, both me and Steve had to get on with rent-paying work and leave Hairy Steve as a whim, a nice idea we’d one day like to return to."
"This year, the idea of internet funding occurred. Comic artists asking for contributions to help them finish their comic, in return offering incentives to everyone who contributes, seems to me like a really organic way of producing art (and, more than that, free art). Being someone who puts most of his work online for free (and by god there’s a lot of it on here now), I find this idea intriguing and want to see if it works."
"So far it has, in the first half an hour we had a flurry of very generous contributions. All the money earned will go towards printing a limited-run of this comic (only available to contributors), the rest going to pay Steve a wage. I take no profits. In return for contributing, you can get everything from signed comics to original sketches, even a zombie drawing of yourself."
"And even if you can’t contribute, we would appreciate any help in promoting this. Share it around, spread the word! Because when we hit a quarter of our total, Hairy Steve will come online as a webcomic. So you get to read it anyway! EVERYONE WINS!"
Sounds fantastic! This is a comic that just has to be published. If you want to be part of this venture to make Hairy Steve a reality go to this website to find out how:
http://hairysteve.com/
Wednesday, July 20, 2011
Spirit of Hope book launch this Saturday
This coming Saturday (July 23rd) sees the official launch and signing of the Spirit of Hope book, a full colour softback anthology to raise money for the victims of the Japanese Tsunami and New Zealand earthquake.
The event will take place at Forbidden Planet, 179 Shaftesbury Avenue, London, at 1.00pm to 4.00pm.
Over 100 contributors have produced comic pages or illustrations for free and all profit from the title will go to help disaster victims via Second Harvest and the New Zealand Red Cross. Contributors who have said they'll attend the launch include Kev Hopgood, David Leach, Jon Haward, Jasper Bark, Steve Tanner, Peter Hogan, Si Spencer, myself, and more.
You may recall I posted more details about this worthy project a short time ago on this blog, with a full list of contributors:
http://lewstringer.blogspot.com/2011/05/spirit-of-hope-now-available-for-pre.html
See you there! If you're unable to attend, copies can be ordered here:
http://www.comicbook.org.uk/spirit-of-hope/
The world's first comic?
Thanks to Bryan Talbot for pointing out this fascinating article (written by John McShane I believe) regarding The Glasgow Looking Glass. Published in 1825 it's regarded as the first regularly produced comics periodical in the world, yet few know about it. The paper featured comic strips, word balloons, and even the term "to be continued" leading into next week's episode. Follow this link for the article on Wikipedia:
http://en.wikipedia.org/wiki/The_Glasgow_Looking_Glass
UPDATE: Shortly after this post appeared that Wikipedia article was deleted, seemingly for copyright infringement. (Had someone posted John's article on Wiki without his permission?)
Sadly I can't find John's article anywhere else but this site features plenty of info about the publication:
http://special.lib.gla.ac.uk/exhibns/month/june2005.html
UPDATE 2: Thanks to Bill Gillespie for pointing out that John McShane's original article can be downloaded as a pdf from here (scroll down until you find it):
http://www.thedrouth.org/articles
Tuesday, July 19, 2011
Snow in July! The 2012 Annuals have arrived
As mentioned on this blog a while back, this year the annuals are being published earlier than their usual late August / early September schedule. In fact The Dandy Annual 2012 and The Beano Annual 2012 are out now from DC Thomson.
Each book has a R.R.P. of £7.99 but you'll easily find them cheaper. (Amazon currently has them at £5.49.) I know some collectors like to wait until they find unsold copies in bargain bookshops after Christmas for a pound, but that doesn't really help the industry and if we all did that the annuals would cease to be.
The Dandy Annual uses a logo from 30 years ago to reflect its content of old and new characters. Fans will be pleased to hear that Bully Beef and Chips are back, now drawn by Laura Howell, and other favourites such as Corporal Clott, Brassneck, Beryl the Peril and Winker Watson also return.
Traditionalists may not be so fond of the new styles given to some of the classic characters. I'm sure Nigel Auchterlounie's version of Puss and Boots will ruffle a few feathers with the over-thirties, but the strips are still funny, - what else does a kid's comic annual need to be?
Young fans of the current Dandy weekly may be a little disappointed to find so few of their new favourites in the annual. No Pre-Skool Prime Minister, no Postman Prat, no Harry Hill, and Nigel Parkinson draws a more traditional Desperate Dan than the revamped Jamie Smart version. However, Andy Fanton's George and Dragon are here, along with Korky, Bananaman, and Kid Cops. Then again, the kids will probably enjoy it all the same, just as I did as a child when annuals featured strips that were new to me.
The Beano Annual includes all the usual long-term favourites Dennis and Gnasher, Roger the Dodger, The Bash Street Kids and Minnie the Minx. More recent hits such as Ratz are also on board, with some nice work by Hunt Emerson.
Fans of Calamity James will be pleased to hear that he's back, drawn by the brilliant Tom Paterson.
Several of the strips feature a winter theme, which feels a bit odd with the books coming out in mid-Summer, but they'll be on sale for a good while yet. One of the winter stories is my own Super School strip, - three pages set on Christmas Eve! I designed a traditional Christmas logo with snow on it. Hope it doesn't melt.
Monday, July 18, 2011
The return of CRIKEY!
Crikey! What a nice surprise. The magazine of British comics, which sadly folded last August after 16 issues is to return next month, twelve months after its demise, as an all-new online edition.
Here's the You Tube ad with quick glimpses of its content, featuring articles on Sparky, Yellowknife of the Yard, Action Force, Death's Head, Captain Hurricane, Ken Reid, and much more:
http://www.youtube.com/watch?v=aNDHShc-6MA&feature=player_embedded
Keep your eye on http://www.crikeyuk.co.uk for more details!
Saturday, July 16, 2011
The Sunday Dandy (UPDATED)
Comic fans should look out for the latest edition of The Sunday Post which includes a special issue of The Dandy. The free supplement features stories from the current version of the comic and is an ideal way to reach potential new readers as well as remind parents that the world's longest running comic is still being published.
UPDATE: I was led to believe this freebie would only be available in Scottish editions of the paper but I'm pleased to say the free Dandy was also in copies here in the Midlands. Presumably then, it's all over the UK!
The comic is in the same format as the usual weekly, and reprints stories from recent issues but with a variation of the usual logo. (Cover shown above.)
With the comic being available to every reader of The Sunday Post that's around 300,000 readers!
http://www.sundaypost.com/news.htm
Dawn of the Dreads
Just a quick heads up for those of you interested in the genesis of British story papers. The latest issue of American horror magazine Fangoria spotlights British horror, and amongst such items on Amicus films and an interview with Ian Ogilvy there's also a feature on the 19th Century "Penny Dreadfuls".
It's a short article, running to just over three pages, but it covers the basics and is well illustrated. The author Ashley Thorpe recounts how, 200 years ago, cheap fiction was mainly aimed at the middle classes (6d a book being far too much for working class people). Enter the birth of the weekly serial publication at just a penny a copy, with lurid tales of crime and horror from Varney the Vampire (predating Dracula by half a century) to Sweeny Todd, Demon Barber. The public lapped it up and, inevitably, Parliament blamed the "Penny Dreadfuls" for "the lamentable amount of juvenile criminality", therefore sowing the seeds of suspicion about horror entertainment that still lingers today.
Fangoria No.305 is $8.99 and should be available from comic specialist shops. Some independent UK newsagents also stock it at £4.99.
Advance Preview: Commando 4411 to 4414
Here's a sneak peek at the four issues of Commando that go on sale from next Thursday, July 21st. Thanks to Commando editor Calum Laird at DC Thomson for the press release.
Commando 4411: Double Vision
Remember Max Singer and Sid O’Brien and their adventures when they played the dangerous roles as doubles for Adolf Hitler and Field Marshal Bernard Montgomery in Commando “Seeing Double”?
Well, they’re back...And in deeper trouble than ever!
Story: Mac MacDonald
Art: Carlos Pino
Cover Art: Carlos Pino
Commando 4412: Wings Of Warriors
Marc Lebel was a young, hot-headed French Air Force pilot, determined to halt the Nazis. But when his mentor died saving his life, Marc’s thirst for revenge looked like it would be the end of him as well…
Story: Mac MacDonald
Art: Rezzonico
Cover Art: Ian Kennedy
Commando 4413: Revenge Of The Phantom
Major Gunther Stolle of the SS did not believe in ghosts — a brutal thug like him didn’t bother with such nonsense. Even when tough German troops broke and fled, gasping out tales of a phantom tank crew, he still didn’t believe it.
But soon he was going to know the terrible truth, for the commander of the tank had vowed to hunt him down…even from beyond the grave!
Introduction by George Low, former Commando Editor
They say you can’t beat a good ghost story and here’s the proof. There’s not only a ghostly crew but their tank is a phantom too. The advance up through Italy with British-manned Sherman tanks…plus dastardly nasty Nazis adding to this witch’s brew…chills and excites with every page.
John Ridgway made the spirit flesh in 1974 and Penalva carried on the theme with a spine-chilling cover. Excellent work from Alan Lomas with the script and it’s a great treat for Halloween…or any other day of the year. Just don’t read this one alone or in the dark…
Originally Commando No 818 (February 1974), re-issued as No 2188 (June 1988)
Story: Alan Lomas
Art: John Ridgway
Cover Art: Jordi Penalva
Commando 4414: Walrus Patrol
They flew their scrapheaps into some mighty strange places
Donald Ducks, Flying Scrapheaps, Rattletraps. Walrus crews got fed up of the names other blokes called their big clumsy Walrus flying-boats.
Then an RAF desert bomber group asked for fighter support and, to their horror, in lumbered two air-sea rescue Walruses!
Not until their own bombers were destroyed the day before a big raid did the RAF scoffers find out what those “rattle-traps” could do in the hands of pilots like Bill Donovan and Al Tucker.
Then “Donovan’s Ducks” took off in a blaze of glory.
Introduction by Calum Laird, Commando Editor
It’s strange what sticks in your mind through the years. When I came to re-read this for the first time since the late 60s, I could clearly recall the picture near the start of the story where the British aircrew were struggling in the water as sharks circled them. It was as good a use of applied tone as ever I’ve seen but that’s no surprise, the man who did it was Gordon Livingstone, an expert.
His inside art more than does justice to the story, while Ken Barr’s cover depicting two Walruses doing what no Walrus should piques your curiosity so much that you just have to read it. Well, go on then, what are you waiting for?
Originally Commando No 284 (September 1967), re-issued as No 979 (November 1975)
Story: McOwan
Art: Gordon Livingstone
Cover Art: Ken Barr
http://www.commandocomics.com
Saturday, July 09, 2011
Learning from history
This October sees the publication of a new book on the history of UK comics. Titled British Comics: A Cultural History the 320 page hardback is written by James Chapman, a Professor of Film Studies who has previously authored books on film in relation to society.
The book promises to cover the whole history of British comics, from the early days of Ally Sloper to the present day. (Hopefully its conclusions won't be too downbeat and dismissive of current UK comics as some studies have been.)
The book is now up for pre-order at Amazon UK.
Back when the late comics historian Denis Gifford was still with us he seemed to be producing books on the history of comics on a regular basis, from the slim digest Discovering Comics to the weighty International Book of Comics. Back when I was 16 and supposedly revising for my 'O' Level exams at the local library I'd be pouring through Denis' Happy Days, One Hundred Years of Comics instead. It never did me any harm. In fact it inspired me and stood me in good stead for the future.
Since Denis died several years ago there's been much written on specific areas of British comics but not so much about the whole history of the artform. However one such book is Great British Comics by Paul Gravett and Peter Stanbury. The large format 192 page softback was published in 2006 but copies are still available (here) and should be essential reading for anyone interested in the background of UK comics.
Here's a few snapshots of some of the spreads from Great British Comics to give you an idea. Every page is in full colour, the research is top-notch, and the book is well illustrated with crisp, clear scans throughout.
Will James Chapman's British Comics book be a match for Great British Comics? No doubt it'll have its own opinions and approach to the history, but that can only be a good thing to broaden one's knowledge of the medium. Roll on October!
Friday, July 08, 2011
This week's Commando comics
Here's a preview of the latest batch of Commando comics, in the shops now. Thanks to editor Calum Laird for the info:
Commando 4407: They Came By Night
Without warning the periscope of a U-boat broke the surface. It turned and focussed on the Locksea Lighthouse. Then, slowly, the glistening, black hull of the submarine came up from the depths.
No one could deny the courage and cool cheek of the Nazi Commander who had made up his mind to capture this vital link in the guiding of our Atlantic convoys.
Then, into what was to be the most fantastic episodes of the war, sailed Skipper Jimmy Cleeves and his RAF rescue launch K20.
Introduction by Calum Laird, Commando Editor
Nowadays Commando writers have it tough. In our 50 years, loads of plots have been used, and they have to try really hard to find a new angle on things. Back in 1961, though, when Commando first broke cover, the writers had a very open field to work with.
So you might think that this sixth story to come out would be very straightforward. If you did, you’d be wrong. It has ships, subs, bombers, recce planes, a lighthouse…and even a carrier pigeon.
Even when they’ve got it easy, Commando authors just can’t help writing cracking stores.
They Came By Night, originally Commando No 6 (August 1961), re-issued as No 2563 (April 1992)
Story: Couglin
Art: Savi
Cover: Ken Barr
Commando 4408: The Cop Who Went To War
Dave Marley was a policeman and proud of it. When the war came, he joined the Military Police and found that a lot of soldiers acted just like the blokes in civvy street who didn’t want to know a copper until they had trouble.
But now there was more than brawls and bank robbers to think about. There were difficult problems to be tackled with the added danger of shells and bullets crashing all around. Yes, it was a tough job, being a Military policeman…
Introduction by George Low, former Commando Editor
The Military Police do a difficult and dangerous job, and it’s not always appreciated by the common soldier, sailor or airman. In the rough and tumble of war, men fresh from action often don’t take it well when a Redcap gets on their case. How to win the doubters over? Prove that you are as tough and as capable of dealing with the enemy as the front-line fighters are.
Roger Montague shows this up well in a crisp 1975 script and Ibanez-Igual did his bit with the line artwork. The cover? That’s Ian Kennedy, of course. He draws a mean motorbike as well as the aircraft he’s renowned for.
The Cop Who Went To War, originally Commando No 982 (November 1975), re-issued as No 2323 (November 1989)
Story: RA Montague
Art: Ibanez-Igual
Cover Art: Ian Kennedy
Commando 4409: Codename: Houdini
Andor Lakatos and his two younger brothers were a popular circus escapology touring Eastern Europe just before the start of the Second World War. When the Germans invaded of Poland in 1939 the three brothers were caught up in the chaos.
Andor, in particular, was drawn against his will into wartime espionage, given the codename Houdini after the great escapologist.
With danger at every corner it seemed unlikely even Andor could escape this murky world of shadows and treachery?
Story: Mac MacDonald
Art: Rezzonico
Cover Art: Janek Matysiak
Commando 4410: “Talk…Or Die!”
It seemed a straightforward job, risky but straightforward. Flying a helicopter full of gold out of South Vietnam before the advancing North Vietnamese army got their hands on it.
As an ex Australian Air Force chopper pilot, Brendan Beckett thought the job would give him no real trouble. So how did he come to be tied to a post, knee-deep in rising water? Well, it’s a long story.
Story: Tom Hart
Art Benet
Cover Art: Benet
http://www.commandocomics.com
Wednesday, July 06, 2011
Deviant Dabbles
I've recently joined DeviantART, the online arts community. I'm not sure why I didn't join years ago really, as I've been amazed at the quality and variety of art displayed there. It's good to see a few of my comic mates there too and to see what they've been up to. It's like an online convention!
My page is still in development as DeviantART is still new to me so I'm finding my way around there when I have time. I've uploaded a few pages you may not have seen before, so visit my gallery and click on the images. (Then click on them again to view them larger.) I'll be posting more material there soon.
http://lewstringer.deviantart.com/
It's likely that from now on if I want to promote my own work I'll be using DeviantART instead of this blog. The original idea of Blimey! was to focus on British comics of the past but recently it's veered off course a bit with a focus on new comics. I have a couple of books kindly sent to me for review, and I'll be blogging about those soon, but after that Blimey! will have a little revamp and return to its original objective of concentrating on vintage British comics. (Although the plugs for a few current titles such as Commando and the upcoming Spirit if Hope book will continue.)