BLIGHTY CHRISTMAS EXTRA (1952)

It's not a comic but it features strips and cartoons that hopefully may appeal to those of you who appreciate good illustration. We're in December 1952 when humour magazines for men were all the rage. Sexist and cheesy by modern standards, but Blighty was one of the best magazines of its type and its excellent artwork stands the test of time. Take the cover above for example, by Scottish artist Arthur Ferrier (1891 - 1973). Women doing the job of reindeer is a bit dodgy, and Santa's being a little too handy with that whip but the artwork is superb. 

I covered the humour mag craze of the 1950s/60s on this blog a while ago, but just to clarify, Blighty contained a mixture of short humourous text stories, jokes, and cartoons aimed mostly at men.

Here's one of the opening pages featuring one of the few strips in the mag...

A page of cartoons by Tom Cottrell (1890 - 1969). You can read more about this artist here:
https://www.cartoons.ac.uk/artists/tomcottrell/biography   

Numerous top quality UK cartoonists worked on this Christmas special issue, including Phil Millar, who later drew Willie Gettaway and Sam's Snake for Sparky...

I'm not sure who drew this page (Arthur Ferrier again perhaps?) but it's a great illustration...

The artists never missed a chance to show women in revealing outfits, whether it related to the gag or not...

An untitled full page strip, signed by 'DLG'. Anyone know his identity?

Another page of Arthur Ferrier's work...

Another Phil Millar cartoon, with a double entendre, brightening up (but unrelated to) a short story...

Blighty eventually became the top shelf nude mag Parade, but back in 1952 its pin-ups were far more discreet. Here's Hollywood star Cyd Charisse in festive mood...

Jack Greenall, who did Useless Eustace for the Daily Mirror, was another contributor to Blighty...

It's interesting to look at the advertisements in this magazine. They promote various items including clothes and drink but they also play into the insecurities of some of their readers, with ads for hair loss remedies, height increase gimmicks, and self-help books to help cure the 'Inferiority Complex'. Perhaps a better confidence builder would have been to go out and talk to women as equals.

I'm sure that, like me, some of you will remember these practical jokes being sold in seaside joke shops decades ago. My dad bought the 'Snow Storm Tablets' and I had the 'King Tut' trick (all done with a magnet). In fact I still have it. 

These are just a sample of pages from this 56 page magazine but you get the idea of what it was like. Considered 'saucy' in its day but quite a dated curiosity today. If you're interested in more about these mags, see my blog post from a few months ago here:
http://lewstringer.blogspot.co.uk/2015/08/post-war-joke-books-kind-that-men-like.html


We're nearing the end of my selection of Christmas comics. Which title will I cover next? Find out tomorrow!

Post-War Joke Books: "The kind that men like"

Post-war Britain. A nation needing to forget the horrors of the blitz and the battlefields. One antidote: new magazines featuring cartoons about women drivers, voyeurism, infidelity, curvy secretaries, leering drunks, dizzy blondes, the 'battleaxe' wife, and newlyweds. Yes, it's the boom period of the 'joke book' for men that proliferated in the late 1940s and 1950s. Not the pornographic and illegal 'Tijuana Bibles' comics that were secretly exchanged in pubs, but professionally produced mags that were just a little risqué. This was the humour of the seaside postcard and 'end of the pier' show turned into a format for national distribution.

The joke books advertised themselves as "the kind that men like" but was it just a bit of fun or was it (subconsciously or otherwise) part of the cultural shift to reassert the role model of man as the dominant partner/breadwinner and to objectify women as the passive 'dolly bird'? 

The joke books were well distributed to newsagents and bookstalls and, for a modest price these slim pocket-size periodicals would contain a mixture of anecdotes, cartoons, and pin-up photos of glamour models in various states of undress. (But only a hint of a nipple, if that.) The cartoons would often feature glamourous women too, with as much ample cleavage and bare thigh as the publishers could get away with. 

Men in the cartoons didn't get off lightly either, often shown as drunk, incompetent, stupid and unfaithful, and receiving their comeuppance for it, but more often than not it was women who got the raw deal. Not all the cartoons involved women, but many did, and usually as sex objects.

One of the earliest magazines of this type was Blighty, which launched in 1916, long before the 1950s boom in such publications. Blighty was quite innocent in the beginning but, like its rivals, gradually shifted its tone to move with the times, and in the late fifties became the top shelf 'glamour mag' Parade, with jokes eventually making way for photos of nude models. 

These 'joke books' may seem very chasté and innocent today, but they were considered a bit daring at the time; swapped amongst readers with a nod and a wink, or read under the bedclothes by teenage lads. The humour was risqué but not explicit or vulgar. That said, the editorial in Basinful of Fun No.72 (Nov/Dec 1951) asking 'lady readers' to send in glamour shots of themselves borders on the sleazy. "Remember ordinary snapshots do not always do you full justice". In other words, we're not interested in your face, luv.

Some well known UK comic artists contributed to these mags, such as Sparky's Les Barton and Phil Millar. However, from what I've seen, a lot of the joke books featured American reprint, no doubt to save on costs. Such was the case with Laugh Magazine and Carnival in the 1960s. Another budget mag was the Weekend Book of Jokes, which recycled gags from Weekend magazine. The coy 'glamour' shots decreased and vanished in the sixties, probably because if that's what readers were looking for they could find more revealing poses in plentiful supply in Fiesta and Mayfair. 

By the time the 1970s arrived, society was becoming more cynical, and humour more blatant. The result was Funny Half Hour, a fortnightly published by Top Sellers in the same format as their UK edition of Mad. This also contained a lot of American reprint (some by the marvellous Bill Ward) and its level of humour was far cruder than anything seen in the joke mags of previous decades. Any attempt as subtlety was gone in most of the material it featured. Here's a selection of some pages, and believe it or not this is some of the tamer stuff. The rape joke is particularly repugnant, and the one about the boy and his sister is unsettling to modern sensibilities too...

Today, joke mags such as these are no more. 'Blue' jokes and hardcore images are exchanged by instant messaging instead. Is society better for it? Not really. Amongst the sexism and titillation there were some good jokes too. Their decline meant a lot less work for cartoonists, that's for sure, so that's not good. On the negative side, the mags perpetuated a sexist, misogynistic attitude towards women that became increasingly tasteless and not 'only a bit of fun' as its defenders would have it. Basically, such joke mags reflected the attitudes of the times, but it was inevitable it wouldn't last forever. 

All of these images are scanned from my collection with the exception of the two full colour Blighty covers which were sourced from other websites.