Rather than my usual flashback to a bygone New Year comic I thought this year I'd look into the crystal ball to highlight a few of the comics we can expect to see in 2012.
Next Saturday, January 7th, sees the launch of The Phoenix, the brand new weekly comic for children. Judging by the free Issue Zero that was released recently (and is now out of stock) this is going to be an impressive collection of some of the finest UK talent available. https://www.thephoenixcomic.co.uk/
The third issue of Strip Magazine is due later in January, with a new series, The Devil's Heritage, starting in that issue. There'll also be the continuing adventure strips Age of Heroes, Hook Jaw, a look back to the fondly remembered Star Lord comic, and much more. http://stripcomicmagazineuk.blogspot.com/
Hardware is another brand new British comic anthology scheduled for 2012. More details on this exciting new venture over the coming months!
Tim Perkins' eagerly awaited Worlds End graphic novel has recently been printed and should be available soon. A review of the book will appear on my blog shortly. http://www.wizards-keep.com/
Mark Millar and Dave Gibbons have revealed the title of their collaboration, - The Secret Service. Coming in February from comic specialist shops!
CLiNT comic continues into 2012, defying the cynics and proving its worth. Here's the cover to issue 14, out in February. http://titanmagazines.com/t/clint/
Panini UK will soon be ending their Fantastic Four Adventures comic with issue No.28 but March sees the launch of The Incredible Hulks No.1 (yes, for better or worse there's a team of Hulks now). The 100 page debut issue will be on sale in newsagents for £2.95. Issue 1 reprints the American issues #612 to 614.
Bryan Talbot's new graphic novel Dotter of her Father's Eyes, written by Bryan's wife Mary Talbot, will be published soon from Jonathan Cape in the UK and Dark Horse in the USA. (Bryan showed me a preview of this and it's a stunning piece of work. Definitely one to look forward to.) Bryan is also working on his third Grandville graphic novel. Another must-buy. http://www.bryan-talbot.com/
Another graphic novel to look forward to next year is the new The League of Extraordinary Gentlemen title Century:2009. The latest book in the saga by comic gods Alan Moore and Kevin O'Neill.
Hairy Steve should be bounding your way soon, courtesy of Jamie Smart and Steve Bright. The titanic twosome have been uploading pages as they're completed but personally I'm waiting until the comic is published to appreciate it in one sitting.
Classical Comics will be continuing to expand their range of excellent graphic novels in 2012 with adaptations of Sweeny Todd, An Inspector Calls, The Importance of Being Earnest and perhaps more. http://www.classicalcomics.com/index.html
2012 is also the year of three comic anniversaries. 2000AD celebrates 35 years of publication in February, Toxic reaches 10 years in September, and The Dandy notches up a record-breaking 75 years next December. Expect some celebratory treats throughout the year including the return of some classic favourites in The Dandy Annual on sale in the second half of the year.
...and if I ever find enough spare time, I intend to collect the Brickman pages I did for Elephantmen comic into a one-off Brickman Returns full colour comic I'll publish myself. Here's a taster, but as yet I've no idea when the comic will be published. Hopefully before next Christmas!
These are just a few of the comics coming your way in 2012 and there'll be many other surprises as the year unfolds. No doubt that it'll be another mixed year of stumbles and triumphs (as is everyone's year) but the important thing is that the British comics industry is far from dead. Let's hope it's a very Happy New Year for creators and readers alike as we forge ahead into 2012!
Saturday, December 31, 2011
Friday, December 30, 2011
The two books that I was most proud to be asked to contribute to in 2011 were the two that I wish hadn't had cause to be published.
That may sound contradictory but you'll understand when I say I'm talking about two charity books that only existed because of terrible circumstances that inspired them. Firstly, Spirit of Hope, launched in the summer to raise funds for the victims of the New Zealand earthquake and the Japanese tsunami. The 116 page trade paperback brought together a diverse range of comic creators such as Jimmy Broxton (cover), Jon Haward, David Leach, Si Spencer, Jason Atomic, Leonie O'Moore, Michael Allred (variant cover), and many more. (Available here: http://www.comicbook.org.uk/spirit-of-hope/ )
The other book was 22.07 which came about not because of natural disasters but because of the actions of a deranged piece of inhuman filth who carried out a bombing in Oslo and a massacre of children in Norway on July 22nd. (The name of the scumbag will not sully this blog.)
Angered and devastated by the event Raptus Comic Festival organizer Arild Wearnes asked comic creators he knew to contribute their feelings to a book that would be sold at the September Raptus event in Bergen to raise money for the families and survivors of the atrocities. 22.07 features material by Lise Myhre, Mike Collins, Dave Windett, Charlie Abbø (cover), Siri Petterson, Mike Carey, Kim Holm and many others.
Much as I was keen to contribute I knew that my usual humour style would be completely inappropriate of course. However from viewing the news reports, and from what I knew of the Norwegian people from my several visits to Bergen over the years, I was touched by their dignity and maturity in the face of such tragedy. I decided to produce a symbolic page, showing how evil can crumble when faced with the power of positive emotions and unitity. Subtle it's not, but I hope it conveyed the right spirit...
You can read more about the book 22.7 here (although you'll need to run it through a translator if you're not fluent in Norwegian):
As I said, two books I was privileged to contribute my services to, but in an ideal world would never have had cause to be published. Let's hope that 2012 brings brighter days for everyone.
Thursday, December 29, 2011
The latest four issues of D.C. Thomson's digest-sized adventure comic Commando are in the shops now, rounding off the title's 50th anniversary year. "The good news" says editor Calum Laird, "is we’ve slightly increased our sales over the year and our subscriptions have increased by a whopping 45%. This is great news in the current climate."
Here are the plot synopsis' of the current four issues...
Commando 4455: Valley Of Secret Weapons
The Valley of Destruction, the Germans called it. It lay deep in the heart of the Tyrolean mountains, and there Germany’s most brilliant scientists worked night and day building Hitler’s deadly “V for Vengeance” weapons.
Sun-ray cannons, flying saucers, sound cannons, rocket-propelled tanks and jet-propelled soldiers – strange, terrifying weapons, years ahead of their time.
They were all there in that valley, being made ready to unleash on Britain.
Introduction by Calum Laird, Commando Editor
One look at the cover tells you all you need to know about this story — it’s a real flight of fancy. (And I don’t just mean because there are Germans with jetpacks.) Or is it? As more information on the Third Reich’s secret weapons programmes comes to light, some of the gear drawn up by Ortiz doesn’t seem so far-fetched.
Perhaps author Eric Hebden who had been a Major in the British Army had some inside knowledge…who knows?
Whether he did or not, it’s a great story and Ken Barr’s “Nazis With Jetpacks” sums the whole thing up. Now, I must fly…
Valley Of Secret Weapons, originally Commando No 98 (December 1963), re-issued as No 591 (October 1971)
Script: Eric Hebden
Cover: Ken Barr
Commando 4456: Jump – Or Die!
The dull throb of the Dakota’s engines pounded remorselessly in the paratroopers’ ears as they filed in to their jumping order.
Nobody spoke, nobody smiled, nobody spared a kindly glance for the next bloke in line. Lips were dry and taut, and eyes glowed with a mixture of determination…and FEAR!
And even as the red light changed to green for “GO”, Captain Bob Brown knew that he was the most afraid of all…
Which was all wrong, because he was meant to be officer in charge of this mission, an example to all the others.
Introduction by Calum Laird, Commando Editor
British Paras were involved in no end of covert operations in the Second World War. This is a problem because most of them took place under the concealing cloak of darkness.
Why is this a problem? Well, a dark night is one of the most difficult things an illustrator can ever be called on to draw. By definition there’s very little light to see anything by…
This doesn’t seem to have put artist Cortes off, however. His drawings of the Paras in action at night make superb use of black ink without losing any detail and without looking anything apart from, well, night.
Kellie’s script is as full of action and conflict as you’d want, while Ken Barr’s cover leaves you in no doubt about the menace in the title.
Jump — Or Die!, originally Commando No 94 (November 1963), re-issued as No 587 (October 1991)
Cover: Ken Barr
Commando 4457: Fireman On The Front Line
As a fireman during the London Blitz, Ted Roscoe was exempt from Armed Forces duty, as his was a reserved occupation deemed important to the war effort. He knew all about danger just the same, though, dodging bombs as he fought fire after fire. However, the Army needed Ted’s expertise too and he soon called to the front line.
Here Ted found himself embroiled in a deadly game of survival, with not just the enemy’s hand against him!
Script: Alan Hebden
Cover: Janek Matysiak
Commando 4458: The Sea Wolves
Like wolves, the torpedo boats and gunboats of the Allies and Axis hunted the seas of the Adriatic in packs. Like wolves they fell on their prey, always going in for the kill.
And, just as amongst packs of wolves, there had to be a top dog — would he be British or German?
Script: Mac MacDonald
Art: Keith Page
Cover: Keith Page
Wednesday, December 28, 2011
Comic book lettering is just as important as the artwork in the presentation of a professional looking page. Bad dialogue lettering can distract from the flow of the story and poor display lettering can diminish the impact of a cover. If you are thinking of putting together your own comic in 2012, or if you're an established publisher, or you want to brighten up your website, it could be a wise move to invest in a few smart top quality fonts from the people at Comicraft on January 1st! Yes, it's Comicraft's Annual New Year's Day font sale and all fonts will, for one day only, be available at the bargain price of $20.12 each!
I've used Comicraft fonts myself, and will be using them more often once I find time to self publish the comics I have in mind for 2012. (The font Danger Girl is the one I use for the current Blimey! logo for example.) I enjoy doing my own lettering and sound effects on single pages but for the sake of speed, convenience and versatility, computer fonts are ideal for bigger jobs such as full length comics. (And, for those artists who create their comics on computer they're essential of course.)
OK, some of you will be wondering why you should bother to buy fonts when there are free ones out there for the taking. Well, some of them are a poor substitute for specially designed comic book fonts. Richard Starkings and John Roshell have years of experience in producing top quality comic book lettering, logos and sound effect fonts for Marvel, DC and many more. You get what you pay for, although in the case (no pun intended) of the font sale you get better than what you pay for.
I certainly intend to purchase some this coming Sunday. (Still trying to decide which ones yet though, with so many to choose from.)
Anyway, if you're interested take a look at the easy to navigate Comicraft website (which is designed using their fonts, showing how effective they can be). Remember, the font sale is for one day only on January 1st!
...and while you're at it, check out Richard Starkings' other venture, the brilliant Elephantmen comic book (and graphic novels):
Friday, December 23, 2011
We've arrived at our final destination on the long time trip through Christmas comics of the past. It's December 1942 and in the dark days of the war comics are doing their bit to brighten the spirits of the young generation. Illustrated Chips and The Joker modified its logo for issue 2,695 to adorn its cover with a special festive title, the Chips Merry Xmas Number. Underneath the logo, The Christmas Antics of Weary Willie and Tired Tim (Chips' cover stars since Tom Browne created them in 1896) were drawn by Percy Cocking from 1909 until the final issue in 1953!
At this time, Chips, like most wartime comics, had reduced its frequency from weekly to fortnightly. By this stage of the war the comic's humour strips were trying to distract readers from the grimness of warfare but the text story Home for Xmas tried to put an uplifting aspect on the situation.
The Editor's message also tried to be warming and upbeat, reflecting the hopes of many that the war would soon be over.
Dane the Dog Detective was a predecessor to The Dandy's Black Bob and his text story tales ran in Chips for many years. Here he's involved in the Mystery at Mistletoe Manor.
As always, the centre pages of Chips were packed with several short humour strips. Here's a few from this issue. (Apologies for any flaws in the scans of this fragile old comic.) Firstly, Pa Perkins and his Son Percy, drawn by Bertie Brown...
Professor Jolly and his Magic Brolly by H.E. Pease...
Homeless Hector (and his puss pal Moonlight Moggie) also by Bertie Brown...
Dickie Duffer by Albert Pease...
Pages 6 and 7 featured more text stories plus a poem by "Philpot Bottles" Chips' fictional office boy.
The back page provided a great finalé to the issue. I'm sure The Casey Court Xmas Party must have given readers lots of pleasure studying the busy illustration. Beneath, The Merry Skylarks of Alfie the Air Tramp (a strip that Chips had inherited from Joker comic) is by John Jukes I believe.
And that brings us to the end of this series of festive flashbacks. I hope you've enjoyed all the Christmas strips I've shown this past few weeks (all scanned from my own collection, not from books or other sites). If you're not already heartily sick of snow-topped logos and humour involving Christmas puddings there are more Christmas covers and stories in the Blimey archive. (Check the sidebar of this blog for December postings of other years.)
Incidentally, today marks the fifth anniversary of this blog, so I'd like to thank you all for visiting Blimey, whether you're a new visitor or someone who's been following the blog for the last five years. After the frantic pace of the last few days I'm taking a break for a short time now but will return with more comics from the past and present in the not too distant future.
In the meantime may I wish you all a very Happy Christmas and a prosperous 2012!
Thursday, December 22, 2011
The Dandy was the first comic I read regularly and this was the first Christmas issue of a comic I had. Dated December 26th 1964 (but published on December 21st) The Dandy No.1205 kicks off with the usual Korky the Cat cover strip drawn by the excellent Charlie Grigg.
Every page of this 16 page issue is a gem but here's a few highlights. On page 2, the brilliant artistry of Dudley D. Watkins on Desperate Dan. Eighteen panels on one page, at a time when Mr.Watkins was also drawing several other regular pages for other comics. How did he do it? Truly one of the greats.
On pages 3 and 4 was a marvelously wintry Brassneck story drawn by Bill Holroyd from an era when policemen patrolled on pushbikes. Brassneck was a relative newcomer to The Dandy at the time and this was only the fourth episode of his first series.
For me, the funniest strip in this issue was the Corporal Clott story across the centre pages. With Davy Law's ability to produce perfect comedy timing in his artwork combined with the hilarious dialogue everything about this episode is brilliant.
As this issue saw the conclusion of The Red Wrecker serial there was an advert for its replacement that would be arriving in the New Year issue: Moe and Joe and Daddy-O (drawn by Eric Roberts). There was also a small ad for that year's Dandy Book. (I still remember the Christmas morning of 1964 when I had this book. Little did I know then that one day I'd become a contributor to the comic and annual.)
Coming up: The final Christmas comic under the spotlight. Will we go forward from 1964, or back? Find out soon!
Wednesday, December 21, 2011
You saw the Christmas issue of Smash! in the previous post, now here's one of its festive stablemates that was published on the same day, Pow! No.50 dated 30th December 1967. (You may have seen this cover before when I used it in a blog post three years ago but I'm going into further detail today.)
Pow! varied its covers more than its companion comics did, and this week it was the turn of The Pow! Short Story to take residence. I've always liked the idea of adventure strips starting on the cover as it hooks the reader straight away. Here are pages two and three of this complete story...
The Dolls of St.Dominic's is a good example of how daring the Odhams comics were compared to their Fleetway counterparts. The premise owes more to the schoolgirls of St.Trinians than The Bash Street Kids but artist Ron Spencer was still encouraged to draw it in a Leo Baxendale style. For those of you born long after the 1960s, "Englebert" refers to Englebert Humperdink, a Leicester-born singer who reached the heights of pop stardom, and I believe still has a residency in Vegas.
The favourite comic strip of many Pow! readers, including myself, was The Cloak, written and drawn by Mike Higgs. Pre-dating Sparky's I-Spy this black-garbed super spy usually appeared in serials of about six weeks in length but for Christmas Mike contributed a complete story. Note all the Pow! characters gathered for the party in the final panel, including Mike Higgs himself (or 'MiK' as he signed his work then).
The other standout strip of that issue was Dare-a-Day Davy in its regular back cover slot. Artwork by Ken Reid, who was always a great artist but by the 1960s had reached new heights of genius. People may criticize modern humour comics for not reaching Ken's standards but the truth is no one could touch him back then either. Ken Reid was always in a league of his own.
Tomorrow: The penultimate Christmas classic.
I've already covered the 1966 Christmas issues (and blogged about the 1968 one two years ago) so now here's the 1967 Christmas Smash!
The addition of the Smash characters herding Swots towards a fate worse than death livened up the usual Batman cover and that large topline is very effective.
Inside, the Bad Penny strip is by one of the artists who was encouraged to approximate Leo Baxendale's style. At first glance I thought this might be by Mike Lacey (some of the hands and faces are similar to his work) but the overall look of the strip is a little too crude to be Lacey's polished work. Some have suggested it's by Bob Dewar attempting the Baxendale style, but I don't really see much of Dewar's style here, apart from Penny's grin in panel 9. At any rate, it's a busy strip and, as a treat for the Dads, there's a glimpse of Penny's Mum in a see-through nightie, although we discover she wears bigger pants than Bridget Jones.
As an example of how Smash's humour strips literally sat alongside Marvel reprint, here's a spread showing Stan McMurtry's Percy's Pets opposite a page of Wally Wood's Daredevil. Growing up with comics like this is why myself and others have always considered UK humour strips of having equal merit as American comics.
The Man from BUNGLE was usually a serial but for the Christmas Smash! it's a special complete story. Illustrated by Mike Lacey...
A new Brian's Brain serial began this issue. Bert Vandeput had been the original artist but by this time Barrie Mitchell had taken over art duties...
The art on Ronnie Rich is Gordon Hogg's, in a festive story of Golliwogs. (Hey it rhymes.)
Christmas is coming... and so is another festive flashback, - later today!