Monday, December 18, 2017

The Christmas SMASH! (1968)

I showed a few pages from this issue several years ago but I've done better quality scans now and added more pages. This 1968 Christmas issue of Smash! was the end of an (admittedly short) era really. The year had seen all the Odhams 'Power Comics' drop like flies and merge together, culminating in Smash! and Pow! Incorporating Fantastic, and by year's end it was just simplified to Smash! incorporating Fantastic

That said, this Christmas issue is, as its topline suggests, a cracker.

The cover strip, Swots and Blots, is drawn by Mike Lacey, rapidly becoming one of the top cartoonists in the business at that time. 
Inside, one of my favourite ever strips, and a series that would be a huge influence on my own work. The Cloak, created, written, and drawn by Mike Higgs. I'm proud to say that in the early 1980s I worked as Mike's assistant for a short time, and for many years have counted him as one of my best friends. The Cloak really inspired me as a kid to do my own comedy-action serial, which I eventually did with Combat Colin!

Smash! was a great comic, packed with originated humour and adventure strips, plus Marvel reprints! At this stage, it was running The Fantastic Four and Thor, resized and adjusted to fit the large UK page format...

One of the main funnies in Smash! from day one was Bad Penny. Although somewhat of a Minnie the Minx imitation, Penny did have her own personality. I'm not sure if these pages are drawn by Leo Baxendale or Mike Brown, or both! I think it's all Leo.

Quite simply the best strip in the comic, - or in any comic of the time, in my opinion, - was The Nervs! Ken Reid had taken over the strip several weeks earlier and made it his own. Comedy vulgarity at its finest, and it disturbed IPC management so much they forbade it from ever being reprinted! 

On the back page was Sammy Shrink, by Terry Bave. Sammy had started life in Wham! comic in 1966 (then drawn by Dave Jenner) and had proven incredibly popular. So much so, that IPC revived him years later for Whizzer and Chips

Another Christmas comic tomorrow!

Sunday, December 17, 2017

The Christmas WHIZZER AND CHIPS (1969)

This was the first Christmas issue of Whizzer and Chips, and also No.11 of the series (as you can see by the number I added in felt tip back when I was ten). The cover strip, Sid's Snake, was drawn by Mike Lacey.

As I'm sure most of you know, Whizzer and Chips gave the illusion of being "Two Comics in One" by having its middle 16 pages posing as the pull-out Chips comic. Therefore I'll look at each comic individually...

In Whizzer, Little Saver was a gentle strip, miles away from the humour of the wildly boisterous Power Comics that Whizzer and Chips had replaced. This page was drawn by Les Barton...

At this stage, Leo Baxendale was still drawing Champ, although not for long as I recall. This was full of his trademark humour and would have been a good fit in Wham!  

Over in the Chips section, the cover strip Shiner was by Mike Lacey...

Whizzer and Chips had a good smattering of adventure strips in its early days. This one, The Space Accident, was illustrated by Ron Turner...

This page of Hetty's Horoscope required some digital remastering to get rid of the inks showing through from the previous page (a result of the cheap newsprint the comic was printed on). However, I decided to keep the crude colouring job I did on it back in 1969. Artwork by Terry Bave...

Although IPC had made the ludicrous decision to drop the popular spy spoof The Cloak from Smash! because it didn't suit their narrow parameters of humour, Mike Higgs stuck at it to create something new. The result was Space School, written and drawn by Mike...

One of the veteran artists on the comic was Denis Gifford, who had revived and updated his old Steadfast McStaunch character from the original Knockout comic to produce new stories for Chips. Denis' clever inclusion of puzzles into the strip was very inventive, and presumably inspired Jack Oliver to do likewise years later...

Next time: Another Christmas comic from the past! Which comic? Which year? Wait and see!

Saturday, December 16, 2017

The Christmas EAGLE (1956)

Here's what you've been waiting for; kicking off this blog's traditional look back at selected pages from Christmas comics of the past! Today, a few pages from the festive issue of Eagle that went on sale 61 years ago in 1956!

I bought this issue recently as I was attracted by the unusual Christmas trimming of the logo. Instead of the usual "snow on the logo" approach favoured by most comics, this edition of Eagle gave the illusion of having seasonal parcel tape stuck across it. Real tape similar to this was available back then, and might still be for all I know. Anyway, a very unique festive touch!

The Dan Dare strip, Rogue Planet, is the series in its glory days. Incredible artwork by Frank Hampson and his studio, and memorable scenes such as the arrival of the Kruells.

Most of the strips, being partway through serials, didn't bother with a festive theme, but some of the articles did. L. Ashwell Woods' marvellous cutaway drawing this issue used the seasonal increase in electricity demand to show how power reached the home from a nuclear reactor...

The editor's page had a nice header featuring Father Christmas and a selection of news, plus the Chicko strip by Norman Thelwell...

Harris Tweed, by John Ryan (creator of Captain Pugwash), has a brief mention of Boxing Day but no other such reference. However, it shares the page with a very festive looking Christmas Carols competition. (Anyone know who did this striking woodcut styled artwork?) 

On the inside back page, a feature on caring for wild garden animals in winter, plus a short strip about the a career in the postal service back then...

Next time: A different Christmas comic, a different year. Where, and when, will the Blimey-Timey Machine take us to? Find out soon!


Courtesy of Rebellion, here's an advance preview of the next Judge Dredd Megazine, on sale this coming Wednesday. A great line-up of contents including all-new strips, a feature on Ken Reid, an interview with Mike Dorey, and a bagged reprint collection of Wagner's Walk that originally appeared in Tornado comic in the 1970s.

UK & DIGITAL: 20th December 2017 £5.99
NORTH AMERICA: 20th January 2018 $13

In this issue:
JUDGE DREDD: CONTRABANDITS by Rory McConville (w) Leigh Gallagher (a) Gary Caldwell (c) Annie Parkhouse (l)

TALES FROM THE BLACK MUSEUM: FAKE NEWS by Rory McConville (w) Neil Googe (a) Simon Bowland (l)

DEVLIN WAUGH: BLOOD DEBT by Rory McConville (w) Mike Dowling (a) Simon Bowland (l)

LAWLESS: BREAKING BADROCK by Dan Abnett (w) Phil Winslade (a) Ellie De Ville (l)

DARK JUDGES: DOMINION by John Wagner (w) Nick Percival (a) Annie Parkhouse (l)

FEATURES: Faceache, Mike Dorey interview

BAGGED REPRINT: Wagner's Walk from Tornado by RE Wright, R Tufnell (w) Lozano, Mike White (a) 
Available in print from: UK newsagents and all good comic book stores via Diamond 

Friday, December 15, 2017


If you're in a mad rush to get your pre-Christmas plans sorted, I'll sum up this review in seven words: If you like comics, buy this book!

Here's a slightly more in-depth analysis for those of you already roasting your chestnuts by an open fire...

How Comics Work is an 192 page softback book by Dave Gibbons and Tim Pilcher detailing the whole process of comics creation in a very relaxed and absorbing way. Under lesser hands, such a book could be tedious and dry, but Dave and Tim are articulate and affable chaps whose personalities shine through to make this a very accessible read for all. 
Dave Gibbons has always been an all-rounder in comics, having mastered all the skills such as writing, pencilling, inking, colouring, and lettering, and he takes us through each process with helpful tips and anecdotes. A great advantage is that Dave has saved so much material over the years that he's able to illustrate each chapter with numerous previously-unseen sketches, roughs, page breakdowns etc, and a good helping of finished art too. 
There are also chapters on the creators who inspired Dave, and those whose techniques he respects, to aid in the demonstrations of comics creation. 

Tim Pilcher, a writer and editor of long standing, also knows his stuff, and supplies his own commentary alongside Dave's teachings. This approach works considerably well, and adds to the enjoyment of the book. 
This is a book that should be an essential read for everyone working in comics, or with ambitions to be a comics creator, and also for any fan with an interest in the behind-the-scenes nuts and bolts of comics. Even if you might not use all the techniques yourself, it's important to know what goes into constructing the finished product.
An absolutely fantastic book that everyone reading this blog needs on their bookshelf. Click here to order a copy. 

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