Monday, November 12, 2018

The passing of a hero

There's a cloud hanging over the comics industry tonight as we've learned that Stan Lee has passed away. American comics, and pop culture, would have been far poorer without him. In fact, I doubt U.S. comics would have survived without Marvel's success in the 1960s inspiring other publishers, and the growth of fandom leading to the creation of the direct market. 

Stan Lee inspired many of us too. His characters were flawed, but they had dignity, a sense of fairness and equality, and showed strength in the face of adversity. Marvel Comics of the 1960s showed us hope, and were an inspiration for me and many of you too, I'm sure. 

I'll write a lengthier tribute in a few days when I have more time and when the news has sunk in. For now, I'll just say, thank you, Stan! I never met you, but you were my hero.
https://www.bbc.co.uk/news/entertainment-arts-46186552

It's been the top story on the BBC website all evening.




Willie and Tim in 1932

Who's for another dip into the past? Here's the cover to Illustrated Chips No.2165, dated March 5th 1932 scanned from my collection. The permanent cover stars of the comic are Weary Willie and Tired Tim, drawn by Percy Cocking.

Willie and Tim were very popular with the readers of the time. Possibly the most popular comics characters of the early 20th Century... although Ally Sloper and Tiger Tim probably gave them a run for their money. 

Illustrated Chips is now one of the comics owned by Rebellion Publishing, so it'd be nice to see a collection of such vintage material. I doubt it'd happen though, as interest in such strips these days is too small to make it viable. Perhaps somehow, one day though...! 



Coming from Rebellion this week...

Rebellion are very busy publishers these days and this week sees three items from them; two graphic novels plus the regular issue of 2000AD. Here's details of all three...

HOPE
CREATIVE TEAM: Guy Adams (w) Jimmy Broxton (a) Simon Bowland (l)
RELEASE DATE: 13th November (UK) 13th December (US)
HARDCOVER, 68 pages
PRICE: £10.99 (UK) $14.99 (US)
ISBN: 9781781086582
DIAMOND: TBA
In an alternate post-war 1940s Los Angeles, where occult forces are a fact of life, Mallory Hope is a private detective haunted by his past… and by the demon he works with. When a new case involving a missing boy reminds him of his own lost child, Hope is determined to find him. But he soon discovers all is not what it seems, with dark powers lurking behind the lights of Hollywood… A gritty detective tale from Guy Adams and Jimmy Broxton that blends classic Hollywood noir with the occult!

Available in print from: 2000 AD webshop, book stores, Amazon, and comic book stores via Diamond

Available in digital from: 2000 AD webshop & apps for iPadAndroid Windows 10


2000AD Prog 2107

UK and DIGITAL: 14th November 2018 £2.85
NORTH AMERICA: 14th December 2018 $6.75
DIAMOND: SEP181942
COVER: CLINT LANGLEY

In this issue:


JUDGE DREDD: THE SMALL HOUSE by Rob Williams (w) Henry Flint (a) Chris Blythe (c) Annie Parkhouse (l)


SKIP TRACER: LEGION by James Peaty (w) Colin MacNeil (a) Dylan Teague (c) Ellie De Ville (l)


BRINK: HIGH SOCIETY by Dan Abnett (w) INJ Culbard (a) Simon Bowland (l)


THARG'S 3RILLERS: INFESTINAUTS ARE GO! by Arthur Wyatt (w) Pye Parr (a+l)


KINGDOM: ALPHA AND OMEGA by Dan Abnett (w) Richard Elson (a) Abigail Bulmer (c) Ellie De Ville (l)


Available in print from: newsagents and comic book stores via Diamond
Available in digital from: 2000 AD webshop and apps for iPadAndroidWindows 10


EL MESTIZO

• CREATIVE TEAM: Alan Hebden (w) Carlos Ezquerra (a) 
 • RELEASE DATE: 15th November (UK) 28th November (US)
 • HARDCOVER, 65 pages
 • PRICE: £14.99 (UK) $19.99 (US)
 • ISBN: 9781781086575
 • DIAMOND: SEP181945

A bitter sweet and much-needed collection of the late Carlos Ezquerra's unconventional Western series. In 1862, as the American Civil War tears a nation in two, dangerous men prosper through bloodshed. El Mestizo was once a slave who managed to escape to Mexico. Now he's come back over the border, a mercenary for hire. But is he really allied to neither side? High-octane revenge Western from the co-creator of Judge Dredd. Perfect for fans of Moebius's Blueberry and the motion picture Django Unchained.


Available in digital from: 2000 AD webshop & apps for iPad, Android and Windows 10

Available in digital from: 2000 AD webshop & apps for iPadAndroid Windows 10


Friday, November 09, 2018

Thoughts on Charley's War

I hated war comic strips when I was a kid in the 1960s and early '70s. So much so that I'd skip strips such as Captain Hurricane in Valiant and Paddy Payne in Lion and would avoid comics such as Victor and Hornet as they seemed to feature so many stories of armed conflict. Commando? Not a chance.

Why did I dislike them so much? Perhaps it was because unlike most people of my age, I didn't grow up hearing anecdotes about life in the military. In World War 2 my dad had failed his medical due to ill health, so he couldn't enlist, and my grandad was in the A.R.P. (During WW1 my grandad had worked on farms and the railway.) However, my family and their friends had often talked about the nightly horrors of the bombing raids. Therefore I knew that real war wasn't a jolly adventure as depicted in Captain Hurricane and I think I resented war comics for not being more honest.

Perhaps it was also because my parents let me watch the evening news and I often read the Daily Mirror where it was clearly evident that war (then raging in Viet Nam) was a grim affair. Admittedly I was well into sci-fi comics and superheroes, so perhaps war strips were too grounded for me, but it wasn't just that. It was the gung-ho attitude that really put me off. 

When Battle Picture Weekly came along in 1975 I was 16, so I was "growing out of kids' comics" as I considered them. I had the first issue because it was a first issue, read it quickly, stored it away in my collection, then didn't bother again. What changed things was years later noticing Charley's War on the cover on the latest issue whilst browsing the comic racks in a newsagents. The issue dated 12th July 1980 (shown below). I recognised the artist as being that of the guy who'd drawn Football Family Robinson for Jag and Kid Chameleon for Cor!! so I bought the comic out of curiosity.
My perceptions of war comics changed immediately. Charley's War didn't glorify war as so many of its predecessors had. Here was an anti-war strip, right in the heart of a boys' war comic! It felt radical, it felt real, and I was hooked! The other strips had some merit too, but the only reason I started buying Battle was for Charley's War, which I'd cut out and save. The writer was Pat Mills, and the artist was Joe Colquhoun.
I know now of course that I'd done the early issues of Battle Picture Weekly a disservice by ignoring them. The comic was superb, part of an important new direction for UK comics, and didn't pull its punches. I've since collected the first five years of the comic so I can enjoy the tightly-written and grittily illustrated stories at my leisure.

All that is a long preamble to give another promotion to Rebellion's superb Charley's War books, but, heck, it's my blog so I'll waffle if I want to. Plus, as we reach the 100th anniversary of the WW1 armistice I wanted to put my thoughts about war comics out there. War has always appalled me, and I still dislike the unrealistic types of war comics, but Charley's War is the antithesis of that and an essential read!
In Charley's War, we see the story from the perspective of a young lad, Charley Bourne, who enlists with the optimism to serve his country in the Great War. His naivety is soon shaken by the harshness of his environment, and the tragedies and hardships that he encounters. Unlike many war comics that had officers as the main hero, Charley Bourne is a tommy, a working class hero.
Although the depictions of warfare are well researched and realistic, some artistic license had to be employed because one soldier could not possibly experience all that befalls Charley throughout the saga. In that respect, Charley Bourne represents the everyman. In other situations that would be too far removed for a soldier in the trenches the story shifts to depict the stories of Charley's brother Wilf, or the French deserter, Blue. 
I consider Charley's War to be the greatest war story in comics. Perhaps the greatest adventure story in any British comic. The three books published by Rebellion collect the entire saga which runs to almost 1,000 pages in total. To me, it's the best work of Pat and Joe's long careers. They clearly both felt very passionate about the subject matter and they succeeded in treating it with respect for ordinary soldiers caught up in the conflict, and a contempt for those that put them through it.

At the moment, Rebellion are doing a special offer of all three books for £39.99. A good deal considering that each book is over 300 pages. Go to the publisher's website here:
https://treasuryofbritishcomics.com/catalogue/B0001
The motto "Lest We Forget" is used in remembrance ceremonies but, sadly, politicians did forget, or didn't care, and there have been multiple conflicts since. Books like Charley's War are essential reading for all ages as a reminder that war is not to be taken lightly.

All artwork in this post is Copyright © Rebellion Publishing Limited.





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