Over on the Down the Tubes blog, John Freeman has the circulation figures for British comics for the last six months. While no one is saying the British comics industry is thriving it's definitely holding its own, with some titles showing an increase in sales.
True, sales look grim compared to 40 or 50 years ago, but the world has changed with more things competing for people's leisure time. (Even TV shows don't get the same viewing figures as they did decades ago.) The important thing is that there are still British comics being bought in their thousands. (With some outselling most American comics.) Toxic and The Beano even rank in the top 100 UK magazine sales. Yes, some people will always focus on the negative for reasons of their own, but true comics fans will support the industry.
You can see the figures for yourself over at this link:
http://downthetubes.net/?p=29163
Any thoughts on the matter? Post your opinions below. All comments welcome. (Only spam and abusive comments are blocked on this blog but all comments are held until I log on again, so if yours doesn't appear right away don't resend it multiple times. Thanks.)
Following my blog about the Oink! Smokebuster Special yesterday, cartoonist Laura Howell e-mailed to remind me that there was another Oink! special around the same time. Sure enough, the July 1987 issue of Spectrum computer mag Crash gave away a 16 page Oink! Computer Special comic within its pages.
This was quite an odd publication as it was designed to tie-in with the Oink computer game produced in 1987 for the Spectrum. This game, (which I've never seen and was never sent by the way) featured two of my characters, Tom Thug and Pete and His Pimple (simplified to Pete's Pimple) plus David Haldane's superhero parody Rubbishman.
The idea was for the Oink! Computer Special to heavily promote the game, therefore the strips contained some differences to their versions in the usual Oink! comic. In Pete's Pimple, instead of Pete's giant zit bursting, it shot off his nose as a complete sphere, bouncing around the streets. The changes requested for Tom Thug were even more bizarre. Instead of the usual urban-based bullying, Tom became the driver of the "Thugmobile" hunting down zombies!
The games designers had completely missed the point of Tom Thug by depicting him as heroic. In the regular strips Tom was always a bully, a villain, not even an anti-hero like Dennis the Menace, and the strips always showed the consequences of his mischief with violence that always backfired on him. In the game, Tom's aggression was seen to be admirable even if it was only against zombies, but there was the other anomaly: the supernatural had no place in Tom Thug's streetwise environment. It just wasn't that sort of strip and venturing down that route would seem out of place.
To solve this problem I had the Tom Thug strip end up being "just a dream". It wasn't the ideal solution, and far too unoriginal, but it seemed to fit in this instance. In Tom's mind he would consider himself brave and heroic, and zombies were the sort of thing he'd dream about.
No doubt some will think I was being too precious about a character that some comic fans would consider "only a humour strip". However my concept of Tom was always that showing his bullying backfiring on him would be a catharsis for readers who themselves were bullied. In the real world bullies often get away with their actions, but in Tom Thug they never did. Tom was always depicted as stupid, intolerant, aggressive and pathetic, just like real bullies, and never as a role model. He wasn't a "rough diamond" or a cheeky-but-cute kid as seen in the other humour comics. He was the bad guy. I wrote and drew every one of the 400 plus Tom Thug strips so maybe I'm entitled to be a bit protective of the strip. ;-)
The good thing about the Oink! Computer Special was that, character discrepancies aside, it was a good promotional item for the regular Oink! comic. As well as the aforementioned strips it also contained some nice work by Jeremy Banx on Burp the Smelly Alien and an impressive colour centrespread by J.T.Dogg (Malcolm Douglas) which is shown above.
