Brand new Commando issues 5043-5046 are out soon! Ready your
guns for incoming Luftwaffe, Kriegsmarine and Wehrmacht as our Commandos face
air, sea and land skirmishes against the Axis forces. From R.N.L.I. volunteers
to Eastern street cleaners, our heroes come in all sizes.
5043: Home of Heroes: Lifeboat Heroes
Often dubbed ‘Weekend Warriors’, R.N.L.I. volunteers
patrolled the dark waters of the Channel, rescuing the men they found from the
icy drink, though their heroics were often overlooked and forgotten…
Keith Page’s instantly recognisable artwork matches and
conveys both the humour and earnestness of Colin Watson’s story. This balance
is always maintained, as the comically affronted facial expressions of the crew
lighten the tone, while the perilous night-time rescue missions are filled with
heavy blacks, sustaining a sense of dread throughout these darker moments. And
Page’s cover is one such moment, showing the carnage of the Dunkirk evacuation
in a stylised spectrum, from yellows and blues, to greens and even purples.
|Story | Colin Watson | Art | Keith Page | Cover | Keith
Page |
5044: Gold Collection: Wings of War
Sanfeliz’s action packed cover perfectly captures these ‘Wings
of War’, as a lone Spitfire showers bullets at two attacking Messerschmitts,
and mid loop nonetheless!
But these aerobatics are not lost in the issue’s interior as
Repetto’s thin line strokes and attention to detail really add to the depth of
the art, contouring the landscapes beneath the planes and giving more dimension
to the aircraft. Meanwhile, Fitzsimmons pilot officer, Jack Mitchell is all
edge, determined to beat his father’s WWI record for shooting down twenty-five Luftstreitkräfte
planes, by any means necessary. Looking every inch the R.A.F. hero of Commando,
Jack’s actions seem callous and downright deplorable as he shuns his fellow
pilots and shoots down planes mercilessly.
|Story | Fitzsimmons | Art | Repetto | Cover | Sanfeliz |
Originally Commando No. 391 (March 1969)
5045: Action and Adventure: The Sniper
An expert marksman, Sergeant David Woking was the guardian
angel of his squadron, taking out anything and anyone that threatened his men.
But his superiors didn’t think too highly of snipers, or Woking’s rogue manner.
Within this issue, Colin Watson takes full advantage of both Woking’s one-man
battle and his time with his teammates, working on the individual characters and
how these personalities interact. Jaume Forns then adds to these personas through
his art, giving the precise, unerring Woking his thin moustache and bright
eyes, and the mischievous Roger his freckles, adding to their charm.
Completing this is David Alexander’s cover art, mixing
watercolour, acrylic and ink to create a traditional looking piece with its own
quirks. Keeping our eponymous sniper front and centre, as he hides among the
undergrowth, Alexander also inserts images of Woking’s targets, highlighting
his deadly accuracy.
|Story | Colin Watson | Art | Jaume Forns | Cover | David
Alexander |
5046: Silver Collection: Sewer Rat
Finally, looks can be very deceiving in Mike Knowles story
of a scruffy Lance-Corporal, dismissed immediately by his superiors for his
careless appearance. Yes, Thomas Henshaw may have a bit of stubble and be
rather inept at ironing, but his heart was in the right place. So, when his
C.O. and crew are taken to a Japanese P.O.W. camp, he takes to the sewers,
using the network of tunnels for raids and ambushes on the enemy. These
underground systems are perfectly depicted in Keith Shone’s interior art, as he
uses thick blocks of black for the background, highlighting the characters in
white, as the shadows take over and appearances are rendered meaningless. And
emphasising this theme is Alan Burrows cover, as Tom’s expression and figure is
overcast in deep purple shadows, giving him a rather gothic look.
|Story | Mike Knowles | Art | Keith Shone | Cover | Alan
Burrows |
Originally Commando No. 2629 (January 1993)
2 comments:
I think one of the aeroplanes is upside down, that's a mistake surely?
Shooting down enemy planes is more-or-less the actual job of a wartime fighter pilot... I suppose it was -enemy- planes?
I don't think the artist would have spent hours drawing it upside down by mistake, Robert. The story will explain it.
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